Archetypal Cake

Castle Cake

I’m in week two of Michael Delaney’s eight week Improv 504 Acting for Improvisers class at UCBNY.

I was terrified of Michael when I first arrived in class, because of his reputation as a no punch pulling instructor. I had imagined him to swagger into class, shout at every scene that we were doing it all wrong, and tell us that we were no good. That couldn’t be farther from the truth. Delaney is an amazing instructor. His knowledge and thoughts on improv are on a level I have not experienced before. Just about every word out of his mouth makes me furriously write down something in my notebook. He does give candid notes, but I love a note if it’s on point — and Delaney is always on point.

I can really feel that skillset stretching

One topic he is really stressing on in this class, is to take that initiation and not get caught up in it, instead of continuing on exploring the scene. Often I, as an improviser, will get nervous that I wont find that unusual thing and make the ordinary, unusual. This really pulls focus from what’s ultimately the most important part of the scene, the relationships of the characters on stage. He used a cake analogy which has continued to bounce around my head all week. I can’t shake it.

There is power in an archetypal cake. You can make a cake as crazy [unusual] as you want, but sometimes a cake is just a simple cake and the wedding is what we explore.

Michael Delaney

2 Comments

  1. ari s
    Posted Friday, October 5, 2007 at 11:46 am | Permalink

    I love Delaney. He also does something I’ve never seen any other teacher do: he’ll take a pen and pad of paper, hold it up, and literally draw the just-performed scene using lines and squiggles and circles, and then draw what could (I hesitate write “should”) have been the scene over or next to it. Love it. And yes, his analogies are great.

  2. Posted Friday, October 5, 2007 at 11:51 am | Permalink

    I haven’t seen him draw on his pad yet. I’m looking forward to that.

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