Posts Tagged “Del Close”

The Raw Harold (Explosion)

by Ben Whitehouse.

Bondage Perade

Getting on in my improv age, as well as my actual age, I have become less and less impressed in the cookie-cutter Harold. Del, from what I have read, never intended the Harold to be the end all be all in improv forms. It was a blueprint and it was up to the improvisers to build their Harold as they saw fit. Unfortunately, the vast majority of Harolds I see, day-to-day, class-to-class, Harold night-to-Harold night, are 8 semi-terrified performers performing someone else’s form without a sense of their ownership.

One must not put a loaded rifle on the stage if no one is thinking of firing it.

–Anton Chekhov

Then I took Chris Gethard’s 501 at the Upright Citizen’s Brigade last year and near the end of the class he threw us the keys to the Harold, telling us in no uncertain terms to make it our own. The result was a performance which we, in the class, termed the “Pink Harold”. It was ours, it was passionate, it was inventive, it was unwatchable. But it was during the Pink Harold that our class realized that with enough support, inevitable listening, and a heaping of group mind — you could do just about anything to a Harold or improv and have it work.

Chris Gethard’s Explosion class, performing under the name ‘The Raw Harold’, has perfected the explosion into something which is truly stage worthy. The class, split into two non-permanent teams by Gethard, opens with something which most closely resembles an organic opening. The group then slides into scenes. The scenes themselves look to loosely follow the Harold structure, but they also seem to follow the focus of the whole piece, rather than stay wed to scene centric themes.

Read on…

The Funniest One in the Room: The Lives and Legends of Del Close

by Ben Whitehouse.

The Funniest One in the Room: The Lives and Legends of Del CloseAlthough technically not published yet (April 1st), there’s a new book available about the man, The Funniest One in the Room: The Lives and Legends of Del Close ($16.47 from Amazon). I really don’t know much about the book other than that on first appearances it looks like a worthwhile read. I’ll update you when I get my copy and start in.

Order yours and we can be like Opra’s book club… except that I am white and don’t have a problem with Zebra cakes.

Update: Okay, who’s not a writer? Ben isn’t. The writer of The Funniest One in the Room: The Lives and Legends of Del Close is none other than Kim “Howard” Johnson. If that name doesn’t ring a bell, he’s one of the co-writers of Truth in Comedy, the seminal book on longform improv which he co-wrote/edited with Charna Halpern and Del. In other words, the dude knows what he’s talking about.

I got the book today and so far it’s pretty good. I’m a little mystified by mentions of Del Sr. and Del Jr. and which one Kim is talking about from moment to moment, but hopefully that will end once we get past “Young Del” year, otherwise known as the “Pickle” years. Buy the book yo.

2007 Del Close Marathon Wrap Up

by Ben Whitehouse.

After watching 36 hours of a 56 hour improv marathon, improv stops looking so much like improv and more like a math equation. You can see patterns forming between performers and see differences in the way geographic locales play. After watching 36 hours of improv, you become a bit of a machine, analyzing each scene for what worked and what didn’t.It was however in this haze of performers, dank body odor, and beef jerky that I truly saw improv for what it is, a groundwork for group mind. A set of traffic patterns to allow a group of performers act like one singular entity. When a group was acting as a whole, they seemed to be reading eachother’s minds, moving in time with one another. When it worked it was incredible (Buiscutville [Creepy guys in a Van], Delta Force 2 [What Happened? Where Were You?], Bruckheimer [An Army of Homeless People], Reuben Williams [Pierre Runs Away]) and when it didn’t, it wasn’t incredible.

Punctuating this mass of performances were the UCB 4 themselves, who got on stage frequently to talk to the audience and answer questions. That for me, was one of my biggest highlights of the marathon. I must have heard Ian Roberts talking over 3 hours about life, love, and improvisation and the majority was truly brilliant. When the 4 got on stage together they really did seem to transform the space. While they really were performing bits the entire time, the energy was contagious.

Read on…

DCM Special Classes

by Ben Whitehouse.

UCB NY has just posted 4 classes to their Del Close Marathon Workshop section.

Del Close Marathon Workshop

Special Marathon Workshop

Rob Riggle It’s sold out.
Tuesday 7-10pm Jul 24

Rob Riggle It’s sold out.
Wednesdays 7-10pm Jul 25

Matt Walsh Class is sold out It’s back up! It’s sold out.
Friday 12-4pm Jul 27

Matt Besser
Sunday 2-6pm Jul 29

We will be keeping up-to-date DCM information as it becomes available.

More classes were just added with Kevin Mullaney from UCBLA on Improvising From The Gut, Monday July 23rd 7-10pm.