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When you start a scene, bring a brick not a cathedral.
Possibly Del Close?
This quote has followed me around thought my improv career. I read somewhere and now can’t find the attribution to it. I always ascribe it to Del Close, but as I can’t find it’s source, I’m really not sure any more. There is a very similar quote in the Second City Almanac of Improvisation on page 103. If anyone knows where this quote comes from, please let me know.
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For all the credit I give Mick Napier and his excellent book Improvise, learning the rules of improv as taught by Del Close in Truth In Comedy is a necessity. Mick teaches a far more organic form of Improv that, while being a great addition to Del’s teachings pushing forward an improviser stuck in a rut, it’s major failing is if you aren’t following the ground rules in improv chances are your scenes will suffer.
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Normally I wouldn’t be spotlighting to a class show on Improvoker. Class shows are usually a great place to watch students perfecting their craft, but are sometimes a little difficult to watch… but this isn’t an ordinary class show. This is the final performance of a 600 level class taught by instructor Christina Gausas.
Christina is first generation Del. She studied with Del Close, Charna Halpern, Mick Napier in Chicago, taught at IO Chicago, and is now teaching at UCB New York. Her current 600 level class, which is an advanced class, is performing two long form improvisational styles called JTS Brown and Cat’s Cradle. These two forms are by far the most interesting structures of improv I have ever seen. They border on the side of experimental theater, weaving abstract scenework into the long form structure.
Each form is very different from one another. JTS Brown begins with an improviser becoming a character and supporting improvisers becoming that character through a tag out like replacement. Cats cradle is an amorphous set of scenes, which morph from one scene to another through a series of almost dance-like montages.
I heavily recommend checking out this show if you are interested in seeing how improvisational forms can be used to create more complex performances. The ideas inherent in these structures beg the question, “what is possible in an improv performance?”
Del Close thought that improv should be more than just a quick joke. These forms really spotlight that improv can be more.
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The story behind Del Close’s bequeathing his skull to iO Chicago, to be used in theatrical productions, has always been the subject controversy. The New Yorker has finally unconverted the truth behind Del Close’s skull at the Improv Olympic.
She [Charna Halpern] now pleads guilty” with an explanation. “After Del died, I asked the hospital people if they would help me by taking off the head, and they just laughed,” she said recently. “They suggested I call the Illinois Society of Pathologists. I told the pathologists, “I will give you Del’s body, and it’s a great body, because you can study the effects of smoking, alcohol, cocaine, and heroin on the brain. All I need is the skull.’ They thought about it, and then said, “There’s a fine line between research and art, and we’re concerned about our funding.’ I called labs, researchers, anatomy shops, and it was “No, no, no.’ ”
While it saddens me to know that I shall never be able to manhandle Del’s noggin, I have to say, that I think Charna’s attempt to give Del what he wanted was ambitious. I certainly wouldn’t know who to approach for the skull of a loved one and god knows I couldn’t cut a straight line with a handsaw.
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25 Years of Improv Comedy
:2 stars:
2006
90 minutes
Filmed at the 25th Anniversary Celebration of iO (formerly the Improve Olympic), this movie basically tries to document the evenings shenanigans.
While I appreciate the idea of this documentary, the actual film making is really lacking. Not only do the improvisors have to hold a microphone if they want to be heard, destroying any illusion of character, but the cabled mics get wrapped around improvisors legs and makes for bad scene-work. The 90 minute running time means that almost every improv scene got edited for time and basically defeated the point of Long-form improvisation.
Unfortunately this disc is a very bad representation of iO’s excellent talent. I would suggest instead of renting this film, to check out the iO to Go podcast instead as you will get a far better overview of their work.
Highlights: Tim Meadows playing a spelling bee contestant and the UCB4 creating mischief.